Alec Wisdom

Alec Wisdom

Writer & Director

I found storytelling through music. As a producer within a community of like-minded artists I learned why strong relationships and unified technical systems allow creative work to flourish. I was born and raised in Texas and the way I see and tell stories remains rooted in its people and landscapes and paradoxes.

After surviving two near-death experiences while commuting to work on Yellowstone: 1883, I knew I needed to direct, which meant I needed to write. Over the following two years I survived two additional near-death experiences. The threat of death stopped feeling occasional and became imminent. I lived with PTSD for years and addressed it deliberately with EMDR and the help of a steady community. Writing stabilized my attention and gave form to what I endured. That practice matured into finished stories grounded in my lived experience, set in my home state, holding a mirror up to the people who inhabit it.

My work explores the nature of relationality and being through human compulsion and fractured families. I am interested in the continual formation of inner life and the recursive patterns people live within without seeing.

An Unsaying
Knox City
Jewel of the Silent Plain
Groundwater
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Feature Screenplay

A bipolar sex worker steals $500,000 worth of fentanyl from the depths of the Texas Panhandle.

Feature Screenplay

A widower spends his final days in a flophouse on the Texas plains, painting his toenails between benders.

Feature Screenplay

In pursuit of a trafficking ring, an HSI agent unearths a morgue technician's demonic rite.

On Monism

On Monism traces Plato's reorientation as the fracture of an older, unified mode of Being, and follows the consequences of that division through the history of Western thought. In the age of artificial intelligence, it marks the possibility of a return to monism as the quiet reemergence of a deeper coherence beneath analysis.

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On Gnosis

On Gnosis takes its name from the sixth Ancient Greek word for knowing, the only one without an English equivalent. What that word names is not accumulation but a stripping away: the via negativa in psychological form. It asks what that annihilation costs, against a market that sells the additive illusion of enlightenment-as-achievement.

On Logos

On Logos recovers the word Heraclitus placed in a temple at Ephesus, knowing most would walk past. It imbibes the patterning through which the world speaks itself into intelligibility, prior to any speaker. The Stoics made it a principle, John made it a person, computation has made it a product. Large language models are its latest reduction: a surface of speech at industrial scale, mistaken for depth by a generation no longer taught to hear.

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Short Film · In Pre-Production

Generational trauma reflects back as a grandmother questions her kin.

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